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Claire Morgan

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Strung Out

2023, Wax, human hair, feathers, mixed media, in vitrine, 45 x 45 x 6 cm
Photo: John McKenzie

Strung Out

2023, Wax, human hair, feathers, mixed media, in vitrine, 45 x 45 x 6 cm
Photo: John McKenzie

Hold me tightly lest I fall

2024, Bird skins, feathers, thistle seeds, Polythene, nylon, lead, wax, mixed media, 440 x 2000 x 2000 cm
Photo: Christian Redtenbacher

A tentative strategy for a renewal, or, wanting to tell you everything and then changing my mind

2021, Thistle seeds, nylon, lead, mixed media, 321 x 955 x 360 cm
Photo: Nicolas Brasseur

Show of Strength

2023, Pastel, charcoal, on stained birch board, 183 x 242 x 6 cm
Photo: John McKenzie

Here is the End of All Things

2011 , Thistle seeds, bluebottles, barn owl (taxidermy), nylon, lead, acrylic, dimensions variable
Photo: Tom Gundelwein

Bare

2024, Bird skin (Green Woodpecker), painted ceramic, 9 x 18.6 x 41.4 cm
Photo: John McKenzie

You will not stop here (detail)

2024, Bird skins, fox skin, polythene, nylon, lead, wax, mixed media, 407 x 1146 x 1175 cm
Photo: Simon Mills courtesy Golden Thread Gallery

You will not stop here

2024, Textile, 43 x 86.5 cm
Photo: John McKenzie

The inevitable heat death of the universe

2023, Wax, human hair, bird skins, mixed media, 350 x 380 x 380 cm
Photo: Nicolas Brasseur

Bear

2023, Traces of taxidermy process, watercolour, pastel, pencil, on paper, 57 x 75.8 cm
Photo: John McKenzie

Act of God

2015, Polythene, nylon, lead, aluminum, dimensions variable,
Photo: Christopher Clem Franken

The Owl and the Pussycat

2014, Barn owl and domestic cat (taxidermy), torn pale blue polythene, nylon, lead, 300 x 150 x 150 cm

I only dared to touch you once I knew that you were dead

2023, 32 page concertina fold book, drypoint and collagraph with hand colouring, 32 x 565.6 x 17.7cm
Photo: Nicolas Brasseur

Exhibition view, Joy in the Pain

Saarlandmuseum Moderne Galerie, 2021
Photo: Tom Gundelwein

Or⁠

2021⁠, Charcoal on paper, 59.4 x 127.9 cm⁠
Photo: John McKenzie

Water on the Brain

2006, 5,300 origami paper boats, fishing line, steel, 160 x 600 x 900 cm
Photo: Claire Morgan Studio

It happens to be

2020, Blue Tit (taxidermy), thistle seeds, nylon, lead, 316 x 285 x 178 cm
Photo: Claire Morgan Studio

Fluid (II)

2009, Crow (taxidermy), strawberries, fishing hooks, nylon, dimensions variable

Softcore

Pastel, pencil, pigment, graphite on paper, 152.5 x 119.5 cm, 2019
Photo: Colin Davison

Murmurations

2016, Polythene, nylon, lead, acrylic, 500 x 1650 x 660 cm
Photo credit: 111 BPR Photography

Throe

2010, Thistle seeds, rooks (taxidermy) , nylon, lead, acrylic, 300 x 180 x 180 cm

Fold (detail)

2023, Found textiles, fox skin, mixed media, in vitrine, 186.5 x 71 x 71 cm
Photo: John McKenzie

If You Go Down to the Woods Today

2014, Muntjac deer (taxidermy), butterflies, polythene, nylon, lead, 300 x 300 x 250cm
Photo: Claire Morgan Studio

States (II): Harder, harder, harder, harder, harder, harder, harder

Pastel, pencil, pigment, graphite on paper, 101.7 x 266.8cm, 2019
Photo: Colin Davison

Exhibition view, Joy in the Pain, Saarlandmuseum Moderne Galerie

Photo: Tom Gundelwein

A New Moon

2005, Polycarbonate structure, 430 x 250 x 250 cm

© Claire Morgan 2023MINIMAL

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