You will not stop here (detail)
2024; Bird skins, fox skin, polythene, nylon, lead, wax, mixed media; 407 x 1146 x 1175 cm
Photo: Simon Mills courtesy Golden Thread Gallery
Exhibition view: Joy in the Pain
Saarlandmuseum Moderne Galerie, 2021
Photo: Tom Gundelwein
Bare
2024; Bird skin (green woodpecker), painted stoneware; 9 x 18.6 x 41.4 cm
Photo: John McKenzie
God
2025, Oil on mulberry paper, 72.9 x 48.6 cm
Photo: John McKenzie
The inevitable heat death of the universe
2023; Wax, human hair, bird skins, mixed media; 350 x 380 x 380 cm
Photo: Nicolas Brasseur
Choke
2025, Human Hair, Wasp, 38.5 x 28 x 11.5 cm
Photo: John McKenzie
If You Go Down to the Woods Today
2014; Muntjac deer (taxidermy), butterflies, polythene, nylon, lead; 300 x 300 x 250cm
Photo: Claire Morgan Studio
You could be my mother
2023; Pastel, charcoal, on stained birch board; 173 x 153 x 4.5 cm
Photo: John McKenzie
Act of God
2015; Polythene, nylon, lead, aluminum; dimensions variable
Photo: Christopher Clem Franken
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Commissioned by Kunst-Station Sankt Peter, Cologne.
Bloom
2023; Wax, bluebottles, nylon thread, in vitrine; object: 13 x 57 x 27 cm, vitrine: 176.5 x 73 x 73 cm
Photo: John McKenzie
The Owl and the Pussycat
2014; Barn owl and domestic cat (taxidermy), torn pale blue polythene, nylon, lead; 300 x 150 x 150 cm
Hold me tightly lest I fall
2024; Bird skins, feathers, thistle seeds, Polythene, nylon, lead, wax, mixed media; 440 x 2000 x 2000 cm
Photo: Christian Redtenbacher
Reap
2025, Oil and charcoal on mulberry paper, 72.7 x 48.6 cm
Photo: John McKenzie
Mourning for real
2021; Chaffinch skin, polythene, nylon, in vitrine; 44.4 x 41.4 x 41.2 cm
Photo: John McKenzie
A tentative strategy for a renewal, or, wanting to tell you everything and then changing my mind
2021; Thistle seeds, nylon, lead, mixed media; 321 x 955 x 360 cm
Photo: Nicolas Brasseur
Or
2021; Charcoal on paper; 59.4 x 127.9 cm
Photo: John McKenzie
Fluid (II)
2009; Crow (taxidermy), strawberries, fishing hooks, nylon; dimensions variable
Strung Out
2023; Wax, human hair, feathers, mixed media, in vitrine; object dimensions: 45 x 45 x 6 cm, vitrine dimensions 184 x 78 x 68 cm
Photo: John McKenzie
Bear
2023; Traces of taxidermy process, watercolour, pastel, pencil, on paper; 57 x 75.8 cm
Photo: John McKenzie
Exhibition view: Joy in the Pain
Saarlandmuseum Moderne Galerie, 2021
Photo: Tom Gundelwein
You will not stop here
2024; Textile; 43 x 86.5 cm
Photo: John McKenzie
I only dared to touch you once I knew that you were dead
2023; 32 page concertina fold book, drypoint and collagraph with hand colouring; 32 x 565.6 x 17.7cm; Edition of 3
Photo: Nicolas Brasseur
Show of Strength
2023; Pastel, charcoal, on stained birch board; 183 x 242 x 6 cm
Photo: John McKenzie
Fold (detail)
2023; Found textiles, fox skin, mixed media, in vitrine; object: 37 x 19 x 14 cm, vitrine: 186.5 x 71 x 71 cm
Photo: John McKenzie
States (II): Harder, harder, harder, harder, harder, harder, harder
2019; Pastel, pencil, pigment, graphite on paper; 101.7 x 266.8cm
Photo: Colin Davison
Here is the End of All Things
2011; Thistle seeds, bluebottles, barn owl (taxidermy), nylon, lead, acrylic; dimensions variable
Photo: Tom Gundelwein
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Commissioned by Le Centre des Monuments Nationaux, for the exhibition Bestes, Bestiaux & Bestioles, Château d’orion, and Bêtes Off, La Conciergerie, Paris.
Murmurations
2016; Polythene, nylon, lead, acrylic; 500 x 1650 x 660 cm
Photo credit: 111 BPR Photography
Water on the Brain
2006; 5,300 origami paper boats, fishing line, steel; 160 x 600 x 900 cm
Photo: Claire Morgan Studio
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Commissioned by The National Trust for the exhibition Inside Out @ Cragside, Cragside Estate, Rothbury. Curated by Judith King. Funding from Arts Council North East, Northern Rock Foundation, ONE North East, and Northumberland Strategic Partnership.
It happens to be
2020; Blue Tit (taxidermy), thistle seeds, nylon, lead; 316 x 285 x 178 cm
Photo: Claire Morgan Studio
Softcore
2019; Pastel, pencil, pigment, graphite on paper; 152.5 x 119.5 cm
Photo: Colin Davison
A New Moon
2005; Polycarbonate lightbulb with festoon lighting (lightbulb: 430 x 250 x 250 cm, suspended from 30m tower crane
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Part of Sparks public art programme, curated by InSite Arts, commissioned by Canterbury City Council with funding from Arts Council England.